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Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 11 Pitch eects 224
Pitch Shifter
Pitch Shifter overview
Pitch Shifter provides a simple way to combine a pitch-shifted version of the signal with the
original signal. Use pitch shifting to achieve the best results.
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Semi Tones slider and eld: Drag to set the pitch shift value in semitones.
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Cents slider and eld: Drag to control detuning of the pitch shift value in cents (1/100th of a
semitone).
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Drums, Speech, and Vocals buttons: Set one of three optimized algorithms for common types of
audio material. Choose from:
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Drums: Maintains the groove (rhythmic feel) of the source signal.
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Speech: Provides a balance between both the rhythmic and harmonic aspects of the signal.
This is suitable for complex signals such as spoken-word recordings, rap music, and other
hybrid signals such as rhythm guitar.
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Vocals: Retains the intonation of the source, making it well-suited for signals that are
inherently harmonic or melodious, such as string pads.
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Mix slider and eld: Drag to set the balance between the eect and original signals.
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Timing pop-up menu (Extended Parameters area): Choose how timing is derived:
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Preset: Follows the selected algorithm.
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Auto: Analyzes incoming audio.
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Manual: Uses the settings of the Delay, Crossfade, and Stereo Link parameters.
Note: The following three parameters are active only when Manual is chosen from the Timing
pop-up menu.
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Delay slider and eld (Extended Parameters area): Drag to set the amount of delay applied to the
input signal. The lower the frequencies of the input signal, the higher (longer) a delay time you
should set—to eectively pitch shift the signal.
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Crossfade slider and eld (Extended Parameters area): Drag to set the range (expressed as a
percentage of the original signal) used to analyze the input signal.
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Stereo Link buttons (Extended Parameters area): Click Inv. to invert the stereo channel’s signals,
with processing for the right channel occurring on the left, and vice versa. Click Normal to
leave the signal as it is.