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Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 10 Modulation eects 218
Tremolo eect
Tremolo modulates the amplitude of the incoming signal, resulting in periodic volume changes.
Tremolo is commonly used in vintage guitar combo amps, where it is sometimes incorrectly
referred to as vibrato. The graphic waveform display shows all the parameters except Rate.
Tremolo parameters
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Depth slider and eld: Drag to determine the modulation amount.
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Waveform display: Shows the resulting waveform.
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Rate knob and eld: Rotate to set the frequency of the LFO.
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Symmetry and Smoothing knobs and elds: Rotate to change the shape of the LFO waveform.
If Symmetry is set to 50% and Smoothing to 0%, the LFO waveform becomes rectangular. The
timing of the highest volume signal is then equal to the timing of the lowest volume signal,
with the switch between both states occurring abruptly.
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Phase knob and eld: Rotate to control the phase relationship between individual channel
modulations in stereo or surround signals. At 0, modulation values are reached simultaneously
for all channels. At values of 180 or −180, there is the greatest possible distance between the
modulation phases of the channels.
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Distribution pop-up menu: Choose how phase osets between individual channels are
distributed in the surround eld: “circular,” “left↔right,” “front↔rear,” “random,” or “new random.”
Available only in surround instances.
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Oset slider and eld (Extended Parameters area): Drag to set the amount that the modulation
(cycle) is shifted to the left or right, resulting in subtle or signicant tremolo variations.