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Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 10 Modulation eects 214
Rotor Cabinet eect microphone types
The Rotor Cabinet eect provides modeled microphones that pick up the sound of the Leslie
cabinet. You can specify the microphone type with these parameters. Also see Rotor Cabinet
eect mic processing controls.
Click to choose a
microphone type.
Click to choose a
microphone type.
Mic Position switch
Click the microphone icons to choose a microphone type for the horn and drum speakers when
Real Cabinet is chosen in the Type pop-up menu. See Rotor Cabinet eect overview.
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Dynamic: Emulates the sound of a dynamic cardioid microphone. This microphone type
sounds brighter and more cutting than the Condenser mic.
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Condenser: Emulates the sound of a studio condenser microphone. The sound of condenser
microphones is ne, transparent, and well-balanced.
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Mid-Side Mic: A Middle and Side (MS) conguration where two microphones are positioned
closely together. One is a cardioid (or omnidirectional) microphone that directly faces the
cabinet—in a straight alignment. The other is a bidirectional microphone, with its axes
pointing to the left and right of the cabinet at 90° angles. The cardioid microphone captures
the middle signal to one stereo side. The bidirectional microphone captures the side signal to
the other stereo side.