X
Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 1 Amps and pedals 21
Amp Designer equalizer
Amp Designer equalizer overview
Hardware amplier tone controls vary among models and manufacturers. For example, the treble
knobs on two dierent models may target dierent frequencies or provide dierent levels of cut
or boost. Some equalizer (EQ) sections amplify the guitar signal more than others, thus aecting
the way the amp distorts.
Amp Designer provides multiple EQ types to mirror these variations in hardware ampliers. All
EQ types have identical controls—Bass, Mids, and Treble—but these controls can behave very
dierently depending on which EQ type you choose.
Selecting an EQ type other than the one traditionally associated with an amplier usually results
in signicant tonal changes. As with hardware ampliers, Amp Designer’s EQs are calibrated to
perform well with particular amplier models. Choosing other EQ types can sometimes produce
a thin or unpleasantly distorted tone.
Despite these less pleasant-sounding possibilities, it is worth experimenting with various
amplier and EQ combinations, because many will sound good together.
EQ pop-up menu
Bass, Mids,
and Treble knobs
EQ parameters
•
EQ pop-up menu: Click the word EQ or CUSTOM EQ above the Bass, Mids, and Treble knobs to
open the EQ pop-up menu, which contains the following EQ models: British Bright, Vintage,
U.S. Classic, Modern, and Boutique. Each EQ model has unique tonal qualities that aect the
way the Bass, Mids, and Treble knobs respond. See Amp Designer EQ types on page 22.
•
Bass, Mids, and Treble knobs: Rotate to adjust the frequency ranges of the EQ models, similar
to the way you would adjust the tone knobs on a hardware guitar amplier. The behavior and
response of these knobs changes when dierent EQ models are chosen.