X
Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 10 Modulation eects 203
Modulation Delay
Modulation Delay is based on the same principles as the Flanger and Chorus eects, but you can
set the delay time, allowing both chorus and anging eects to be generated. It can also be used
without modulation to create resonator or doubling eects. The modulation section consists of
two LFOs with variable frequencies.
Although rich, combined anging and chorus eects are possible, the Modulation Delay is
capable of producing some extreme modulation eects. These include emulations of tape speed
uctuations and metallic, robot-like modulations of incoming signals.
Modulation Delay parameters
•
Feedback slider and eld: Drag to set the amount of eect signal routed back to the input.
Use a high Feedback value for strong modulations. If you want to double the signal, don’t
use Feedback. Negative values invert the phase of the feedback signal, resulting in more
chaotic eects.
•
Flanger-Chorus knob and eld: Rotate to set the basic delay time. Set to the far left position
to create anger eects, to the center for chorus eects, and to the far right to hear clearly
discernible delays.
•
De-Warble button: Turn on to make sure the pitch of the modulated signal remains constant.
•
Const(ant) Mod(ulation) button: Turn on to make sure the modulation width remains constant,
regardless of the modulation rate.
Note: When Const Mod is enabled, higher modulation frequencies reduce the modulation
width.
•
Mod(ulation) Intensity slider and eld: Drag to set the modulation amount.
•
LFO Mix slider and elds: Drag to determine the balance between the two LFOs.
•
LFO 1 and LFO 2 Rate knobs and elds: Rotate to set the modulation rate for the left and right
stereo channels. In surround instances, the center channel is assigned the middle value of the
left and right LFO Rate knobs. The other channels are assigned values between the left and
right LFO rates.
Note: The right LFO Rate knob is available only in stereo and surround instances, and it can be
set separately only if the Left Right Link button is not enabled.
•
LFO Left Right Link button: Turn on to link the modulation rates of the left and right stereo
channels. Adjustment of either Rate knob will aect the other channel in stereo instances, or
other channels in surround instances.