X
Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 9 MIDI plug-ins 175
Use Chord Trigger
Chord Trigger is straightforward to use: choose a mode, set a chord trigger range, select a trigger
key, then set up a chord. You can also transpose chords and quickly assign multiple chords—
onscreen or with your MIDI keyboard.
Dene the chord trigger range
The shaded chord trigger range is shown on the upper keyboard. Incoming MIDI notes that fall
within this range are interpreted as trigger keys that play the chord (Single Chord mode) or the
chords (Multi Chord mode) assigned to them. Chords can be assigned to keys within the chord
trigger range. Incoming MIDI notes that fall outside the dened chord trigger range are passed
through Chord Trigger unaected. This allows you to play a melody with the right hand while
triggering/transposing memorized chords with the left, for example.
Drag here to define a
keyboard range.
Drag here to define a
keyboard range.
m Drag the handles of the chord trigger range bar above the upper keyboard to dene a
keyboard range.
•
In Single Chord mode: Playing a MIDI note (or clicking the upper keyboard) within the dened
chord trigger range plays and transposes a single memorized chord. The transposition is
performed in relation to the trigger key the chord is assigned to. For example, if a chord is
assigned to C2, playing a D2 transposes the chord upward by two semitones. Playing a B1
transposes the chord down by a semitone.
•
In Multi Chord mode: Playing a MIDI note (or clicking the upper keyboard) within the dened
chord trigger range triggers the chord that is memorized for the played key. Keys that do not
have a chord assigned to them are silent when played.
Note: If the chord trigger range is made shorter, memorized chords that fall outside the range
become inaccessible but are not deleted. Lengthening the chord trigger range makes assigned
chords accessible again.