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Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 8 Metering tools 15 4
Surround MultiMeter Analyzer parameters
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Analyzer button: Switches the main display to Analyzer mode.
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Sum and Max buttons: Click to show the summed or maximum level in the Analyzer results in
the main display. These buttons are relevant only when multiple channels are selected with
the channel buttons.
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Channel buttons: Click to select one or multiple channels for metering. The number and
appearance of these buttons vary when dierent surround output congurations are chosen.
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View elds: Alter the way that values are shown in the Analyzer by setting the maximum level
displayed (Top) and the overall dynamic range (Range).
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Mode buttons: Click to determine how levels are displayed. You can choose from Peak, Slow
RMS, or Fast RMS characteristics.
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The two RMS modes show the eective signal average and provide a representative
overview of perceived volume levels.
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The Peak mode shows level peaks accurately.
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Scale (shown in the main display): Indicates the scale of levels. Drag the scale vertically to adjust.
Changing the scale is useful when you are analyzing highly compressed material because it
makes it easier to identify small level dierences.
Surround MultiMeter Goniometer mode
A goniometer helps you to judge the coherence of the stereo image and determine phase
dierences between the left and right channels. Phase problems are easily spotted as trace
cancelations along the center line (M—mid/mono).
The idea of the goniometer was born with the advent of early two-channel oscilloscopes. To use
such devices as goniometers, users would connect the left and the right stereo channels to the
X and Y inputs, while rotating the display by 45° to produce a useful visualization of the signal’s
stereo phase. The signal trace slowly fades to black, imitating the retro glow of the tubes found
in older goniometers, while also enhancing the readability of the display.
Because the Surround MultiMeter Goniometer is dealing with multichannel signals, the
display is divided into multiple segments, as shown in the image. Each segment indicates a
speaker position. When the surround panner is moved in a channel strip, the indicator changes
accordingly. This indicates not only left and right channel coherence, but also the front-
to-rear coherence.