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Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 7 Imaging processors 145
Stereo Spread
Stereo Spread is generally used when mastering. There are several ways to extend the stereo
base (or the perception of space), including using reverbs or other eects and altering the
signal’s phase. These options can sound good, but they can also weaken the overall sound of
your mix by ruining transient responses, for example.
Stereo Spread extends the stereo base by distributing a selectable number of frequency bands
from the middle frequency range to the left and right channels. This is done alternately—middle
frequencies to the left channel, middle frequencies to the right channel, and so on. This greatly
increases the perception of stereo width without making the sound totally unnatural, especially
when it is used on mono recordings.
Stereo Spread parameters
•
Lower Int(ensity) slider and eld: Drag to set the amount of stereo base extension for the lower
frequency bands.
•
Upper Int(ensity) slider and eld: Drag to set the amount of stereo base extension for the upper
frequency bands.
Note: When you are setting the Lower Int and Upper Int sliders, be aware that the stereo eect
is most apparent in the middle and higher frequencies. Distributing low frequencies between
the left and right speakers can signicantly alter the energy of the overall mix. Use low values
for the Lower Int parameter and avoid setting the Lower Freq parameter below 300 Hz.
•
Graphic display: Shows the number of bands the signal is divided into and the eect intensity
in the upper and lower frequency bands. The upper section represents the left channel.
The lower section represents the right channel. The frequency scale displays frequencies in
ascending order, from left to right.
•
Upper and Lower Freq(uency) slider and elds: Drag to determine the highest and lowest
frequencies that are redistributed in the stereo image.
•
Order knob and eld: Rotate to determine the number of frequency bands that the signal is
divided into. A value of 8 is usually sucient for most tasks, but you can use up to 12 bands.