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Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 6 Filter eects 137
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Classic Wah: This setting mimics the sound of a popular wah pedal with a slight
peak characteristic.
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Retro Wah: This setting mimics the sound of a popular vintage wah pedal.
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Modern Wah: This setting mimics the sound of a distortion wah pedal with a constant
Q(uality) Factor setting. The Q determines the resonant characteristics. Low Q values aect
a wider frequency range, resulting in softer resonances. High Q values aect a narrower
frequency range, resulting in more pronounced emphasis.
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Opto Wah 1: This setting mimics the sound of a distortion wah pedal with a constant
Q(uality) Factor setting.
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Opto Wah 2: This setting mimics the sound of a distortion wah pedal with a constant
Q(uality) Factor setting.
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Resonant LP: In this mode, the Wah works as a resonance-capable lowpass lter. At the
minimum pedal position, only low frequencies can pass.
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Resonant HP: In this mode, the Wah works as a resonance-capable highpass lter. At the
maximum pedal position, only high frequencies can pass.
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Peak: In this mode, the Wah works as a peak (bell) lter. Frequencies close to the cuto
frequency are emphasized.
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Auto Gain button: Turn on to limit the output signal dynamic range. The wah eect can cause
the output level to vary widely. Auto Gain compensates for this tendency and keeps the
output signal within a more stable range.
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Relative Q knob: Rotate to adjust the main lter peak, resulting in a sharper or softer
wah sweep.
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Wah Level knob: Rotate to set the amount of the wah-ltered signal.
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Depth knob: Rotate to set the depth of the Auto Wah eect. When set to 0, the automatic
wah feature is disabled.
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Attack knob: Rotate to set the time it takes for the wah lter to fully open.
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Release knob: Rotate to set the time it takes for the wah lter to close.
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(Pedal) Range slider: Drag to sweep the wah lter. The two smaller sliders set the maximum and
minimum values of the sweep range.