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Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 6 Filter eects 13 2
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At a value of 0, the FM tone generator is disabled and a sawtooth wave is generated.
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At values above 0, the FM tone generator is activated. Higher values result in a more
complex and brighter sound.
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Coarse Tune eld: Drag to set the pitch oset of the oscillator in semitones.
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Fine Tune eld: Drag to set the pitch oset in cents. One cent equals 1/100 of a semitone.
Use tracking oscillator pitch parameters
The tracking oscillator pitch parameters control the automatic pitch correction feature of the
tracking oscillator. They can be used to constrain the pitch of the tracking oscillator to a scale
or chord. This allows subtle or strong pitch corrections and can be used creatively on unpitched
material with high harmonic content, such as cymbals and high-hats.
Tracking oscillator pitch parameters
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Pitch Quantize Strength slider: Drag to determine how pronounced the automatic pitch
correction is.
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Pitch Quantize Glide slider: Drag to set the amount of time pitch correction takes, allowing
sliding transitions to quantized pitches.
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Root/Scale keyboard: Click notes to dene the pitch or pitches that the tracking oscillator is
quantized to.
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Root/Scale pop-up menu: Click below Scale to choose the scale that the tracking oscillator is
quantized to.
Note: There are two discrete elds available for this parameter—Root and Scale. The Root
(key) can be changed independently of the scale chosen in the pop-up menu.
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Max Track eld: Drag to set the highest frequency. All frequencies above this threshold are cut,
making pitch detection more robust. If pitch detection produces unstable results, reduce this
parameter to the lowest possible setting that allows all appropriate input signals to be heard
or processed.
Choose a root or scale
1 Click the green value eld under Scale to open the pop-up menu.
2 Choose the scale or chord you want to use as the basis for pitch correction.
Note: You can also set the root key of the chosen scale or chord by vertically dragging the Root
(key) eld, or by double-clicking the root note and entering a root key between C and B. The
Root parameter is not available when the Root/Scale value is set to “chromatic” or “user.”
Add notes to, or remove notes from, the chosen scale or chord
m To add notes to the scale or chord: Click unused keys on the small keyboard to highlight them
in green.
m To remove notes from the scale or chord: Click selected notes, which then are no
longer highlighted.
Tip: Your last edit is remembered. If you choose a new scale or chord but do not make any
changes, you can revert to the previously set scale by choosing “user” from the Root/Scale
pop-up menu.