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Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 1 Amps and pedals 13
Amp Designer models
Tweed Combos
The Tweed models are based on American combos from the 1950s and early 1960s that helped
dene the sounds of blues, rock, and country music. They have warm, complex, clean sounds that
progress smoothly through gentle distortion to raucous overdrive as you increase the gain. Even
after half a century, Tweeds can still sound contemporary. Many modern boutique ampliers are
based on Tweed-style circuitry.
Model Description
Small Tweed Combo
A 1 x 12" combo that transitions smoothly from clean
to crunchy, making it a great choice for blues and
rock. For extra denition, set the Treble and Presence
controls to a value around 7.
Large Tweed Combo
This 4 x 10" combo was originally intended for
bassists, but it was also used by blues and rock
guitarists. It is more open and transparent-sounding
than the Small Tweed Combo, but it can deliver
crunchy sounds.
Mini Tweed Combo A small amp with a single 10" speaker, used by
countless blues and rock artists. It is quite punchy-
sounding and can deliver the clean and crunch tones
that Tweed combos are known for.
Tip: Tweed combos are responsive to playing dynamics. Adjust the knobs to create a distorted
sound, then reduce the level of your guitar’s volume knob to create a cleaner tone. Turn up your
guitar’s volume knob when soloing.
Classic American Combos
The Blackface, Brownface, and Silverface models are inspired by American combos of the mid
1960s. These tend to be loud and clean with a tight low-end and restrained distortion. They are
useful for clean-toned rock, vintage R & B, surf music, twangy country, jazz, or any other style
where strong note denition is essential.
Model Description
Large Blackface Combo
A 4 x 10" combo with a sweet, well-balanced tone
favored by rock, surf, and R & B players. Great for lush,
reverb-saturated chords or strident solos.
Silverface Combo
A 2 x 12" combo with a loud, clean tone. It has a
percussive, articulate attack that is suitable for funk,
R & B, and intricate chord work. It can be crunchy
when overdriven, but most players favor it for clean
tones.
Mini Blackface Combo
A 1 x 10" combo that is bright and open-sounding,
with reasonable low end impact. It excels at clean
tones with a minimal overdrive.
Small Brownface Combo
A 1 x 12" combo that is smooth and rich-sounding,
but retains a level of detail.
Blues Blaster Combo
A 1 x 15" combo that has a clear top end with a tight,
dened low end. This model is favored by blues and
rock players.