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Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 6 Filter eects 12 5
EVOC 20 Filterbank output parameters
The output parameters provide control over the level and stereo width. The output section also
incorporates an integrated overdrive (distortion) circuit.
Output parameters
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Overdrive button: Click to turn the overdrive circuit on or o.
Note: To hear the overdrive eect, you might need to boost the level of one or both
lter banks.
•
Level slider: Drag to set the volume of the output signal.
•
Stereo Mode pop-up menu: Choose the input/output mode.
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In s/s mode (stereo input/stereo output), the left and right channels are processed by
separate lter banks.
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In m/s mode (mono input/stereo output), a stereo input signal is rst summed to mono
before being routed to the lter banks.
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Stereo Width knob: Rotate to distribute the output signals of the lter bands in the stereo eld.
•
At the 0 position to the left, the outputs of all bands are centered.
•
At the centered position at the top, the outputs of all bands ascend from left to right.
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At the full position to the right, the bands are output to the left and right
channels alternately.