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Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 6 Filter eects 12 0
AutoFilter lter
The Filter parameters allow you to precisely tailor the tonal color.
Filter parameters
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Cuto knob and eld: Rotate to set the cuto frequency for the lter. Higher frequencies are
attenuated, whereas lower frequencies are allowed to pass through in a lowpass lter. The
reverse is true in a highpass lter. When the State Variable Filter is set to bandpass (BP) mode,
the lter cuto determines the center frequency of the frequency band that is allowed to pass.
•
Resonance knob and eld: Rotate to boost or cut signals in the frequency band that surrounds
the cuto frequency. Very high Resonance values cause the lter to begin oscillating at the
cuto frequency. This self-oscillation occurs before you reach the maximum Resonance value.
•
Fatness slider and eld: Drag to boost the level of low frequency content. When you set Fatness
to its maximum value, adjusting Resonance has no eect on frequencies below the cuto
frequency. This parameter is used to compensate for a weak or “brittle” sound caused by high
resonance values, when in the lowpass lter mode.
•
State Variable Filter buttons: Switch the lter between highpass (HP), bandpass (BP), or lowpass
(LP) modes.
•
4-Pole Lowpass Filter buttons: Click to set the slope of the lowpass lter to 6, 12, 18, or 24 dB
per octave.
Note: Clicking one of these buttons automatically chooses the lowpass (LP) lter and slope,
overriding any active State Variable Filter button.