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Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
117
Filter eects overview
Filters are used to emphasize or suppress frequencies in an audio signal, resulting in a change in
the tonal color of the audio.
Logic Pro X contains a variety of advanced lter-based eects that you can use to creatively
modify your audio. These eects are most often used to radically alter the frequency spectrum of
a sound or mix.
Note: Equalizers (EQs) are special types of lters. They are not usually used as “eects” per se,
but as tools to rene the frequency spectrum of a sound or mix. See Equalizers overview on
page 104.
AutoFilter
AutoFilter overview
AutoFilter is a versatile lter eect with several unique features. You can use it to create classic,
analog-style synthesizer eects, or as a tool for creative sound design.
The eect works by analyzing incoming signal levels through use of a threshold parameter. Any
signal level that exceeds the threshold is used as a trigger for a synthesizer-style ADSR envelope
or an LFO (low frequency oscillator). These control sources are used to dynamically modulate the
lter cuto.
The AutoFilter allows you to choose between dierent lter types and slopes, control the amount
of resonance, add distortion for more aggressive sounds, and mix the original, dry signal with the
processed signal.
Filter
parameters
Threshold
parameter
Envelope
parameters
Distortion parameters
LFO parameters
Output
parameters
Filter eects
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