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Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
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Equalizers overview
An equalizer (commonly abbreviated as EQ) shapes the sound of incoming audio by changing
the level of specic frequency bands.
Equalization is one of the most-used audio processes, both for music projects and in post-
production work for video. You can use EQ to subtly or signicantly shape the sound of an
audio le, an instrument, a vocal performance, or a project by adjusting specic frequencies or
frequency ranges.
All EQs are specialized lters that allow certain frequencies to pass through unchanged while
raising (boosting) or lowering (cutting) the level of other frequencies. Some EQs can be used
in a “broad-brush” fashion, to boost or cut a large range of frequencies. Other EQs, particularly
parametric and multiband EQs, can be used for more precise control.
The simplest types of EQs are single-band EQs, which include low cut and high cut, lowpass and
highpass, shelving, and parametric EQs.
Multiband EQs (such as Channel EQ or Linear Phase EQ) combine several lters in one unit,
enabling you to control a large part of the frequency spectrum. Multiband EQs allow you to
independently set the frequency, bandwidth, and Q factor of each frequency spectrum band.
This provides extensive and precise tone-shaping of any audio source, be it an individual audio
signal or an entire mix.
Channel EQ
Channel EQ overview
Channel EQ is a versatile multiband EQ. It provides eight frequency bands, including lowpass and
highpass lters, low and high shelving lters, and four exible parametric bands. It also features
an integrated Fast Fourier Transform (FFT) Analyzer that shows changes to the frequency curve
of the audio signal in real time, allowing you to see which parts of the frequency spectrum may
need adjustment.
You can use Channel EQ to shape the sound of individual tracks or audio les or for tone-shaping
on an overall project mix. The Analyzer and graphic display’s controls make it easy to view and
change the audio signal in real time.
Tip: The parameters of Channel EQ and Linear Phase EQ are identical, enabling you to freely
copy settings between them. In Logic Pro X, if you replace a Channel EQ with a Linear Phase EQ
(or vice versa) in the same Insert slot, the current settings are automatically transferred to the
new EQ.
Equalizers
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