10.6
Table Of Contents
- Contents
- Logic Pro Effects
- Amps and pedals
- Logic Pro Amps and Pedals overview
- Amp Designer
- Logic Pro Amp Designer overview
- Logic Pro Amp Designer models
- Logic Pro Amp Designer cabinets
- Build a custom Logic Pro Amp Designer combo
- Logic Pro Amp Designer amplifier controls
- Logic Pro Amp Designer EQ overview
- Logic Pro Amp Designer effects overview
- Logic Pro Amp Designer reverb effect
- Logic Pro Amp Designer tremolo and vibrato
- Logic Pro Amp Designer microphone parameters
- Bass Amp Designer
- Logic Pro Bass Amp Designer overview
- Logic Pro Bass Amp Designer amplifier models
- Logic Pro Bass Amp Designer cabinet models
- Build a Logic Pro Bass Amp Designer combo
- Logic Pro Bass Amp Designer signal flow
- Logic Pro Bass Amp Designer Pre-amp flow
- Use the Logic Pro Bass Amp Designer D.I. box
- Logic Pro Bass Amp Designer amplifier controls
- Logic Pro Bass Amp Designer effects overview
- Logic Pro Bass Amp Designer EQ
- Logic Pro Bass Amp Designer compressor
- Logic Pro Bass Amp Designer Graphic EQ
- Logic Pro Bass Amp Designer Parametric EQ
- Logic Pro Bass Amp Designer mic parameters
- Pedalboard
- Logic Pro Pedalboard overview
- Use the Logic Pro Pedalboard Browser
- Use Logic Pro Pedalboard import mode
- Use the Logic Pro Pedalboard Pedal area
- Use the Logic Pro Pedalboard Router
- Use Logic Pro Pedalboard Macro Controls
- Logic Pro Pedalboard distortion pedals
- Logic Pro Pedalboard pitch pedals
- Logic Pro Pedalboard modulation pedals
- Logic Pro Pedalboard delay pedals
- Logic Pro Pedalboard filter pedals
- Logic Pro Pedalboard dynamics pedals
- Logic Pro Pedalboard utility pedals
- Delay effects
- Logic Pro Delay effects overview
- Delay Designer
- Logic Pro Delay Designer overview
- Logic Pro Delay Designer main display
- Use the Logic Pro Delay Designer Tap display
- Create Logic Pro Delay Designer taps
- Edit Logic Pro Delay Designer taps
- Edit in the Logic Pro Delay Designer Tap display
- Logic Pro Delay Designer Tap parameter bar
- Use Logic Pro Delay Designer sync mode
- Logic Pro Delay Designer master parameters
- Use Logic Pro Delay Designer in surround
- Logic Pro Echo
- Logic Pro Sample Delay
- Logic Pro Stereo Delay
- Logic Pro Tape Delay
- Distortion effects
- Dynamics processors
- Logic Pro Dynamics processors overview
- Logic Pro Adaptive Limiter
- Compressor
- Logic Pro DeEsser 2
- Logic Pro Enveloper
- Logic Pro Expander
- Logic Pro Limiter
- Multipressor
- Noise Gate
- Surround Compressor
- Equalizers
- Filter effects
- Logic Pro Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- Logic Pro EVOC 20 TrackOscillator overview
- Vocoder overview
- Logic Pro EVOC 20 TrackOscillator interface
- Logic Pro EVOC 20 TrackOscillator analysis in controls
- Logic Pro EVOC 20 TrackOscillator U/V detection controls
- Logic Pro EVOC 20 TrackOscillator Synthesis in controls
- Logic Pro EVOC 20 TrackOscillator oscillator controls
- Logic Pro EVOC 20 TrackOscillator oscillator pitch controls
- Logic Pro EVOC 20 TrackOscillator formant filter
- Logic Pro EVOC 20 TrackOscillator modulation
- Logic Pro EVOC 20 TrackOscillator output controls
- Fuzz-Wah
- Spectral Gate
- Imaging processors
- Metering tools
- Logic Pro Metering tools overview
- Logic Pro BPM Counter
- Logic Pro Correlation Meter
- Logic Pro Level Meter
- Logic Pro Loudness Meter
- MultiMeter
- Surround MultiMeter
- Logic Pro Tuner utility and plug-in
- MIDI plug-ins
- Use MIDI plug-ins in Logic Pro
- Arpeggiator MIDI plug-in
- Logic Pro Arpeggiator MIDI plug-in overview
- Logic Pro Arpeggiator MIDI plug-in control parameters
- Logic Pro Arpeggiator MIDI plug-in note order parameters
- Logic Pro Arpeggiator MIDI plug-in note order variations
- Logic Pro Arpeggiator MIDI plug-in note order inversions
- Logic Pro Arpeggiator MIDI plug-in pattern parameters
- Logic Pro Arpeggiator MIDI plug-in Live mode
- Logic Pro Arpeggiator MIDI plug-in Grid mode
- Logic Pro Arpeggiator MIDI plug-in options parameters
- Logic Pro Arpeggiator MIDI plug-in keyboard parameters
- Use Logic Pro Arpeggiator MIDI plug-in keyboard parameters
- Assign Logic Pro Arpeggiator controllers
- Chord Trigger MIDI plug-in
- Logic Pro Modifier MIDI plug-in
- Modulator MIDI plug-in
- Logic Pro Note Repeater MIDI plug-in
- Logic Pro Randomizer MIDI plug-in
- Scripter MIDI plug-in
- Use the Logic Pro Scripter MIDI plug-in
- Use the Logic Pro Scripter MIDI plug-in Script Editor
- Logic Pro Scripter MIDI plug-in API overview
- Logic Pro Scripter MIDI plug-in MIDI processing functions
- Logic Pro Scripter MIDI plug-in HandleMIDI function
- Logic Pro Scripter MIDI plug-in ProcessMIDI function
- Logic Pro Scripter MIDI plug-in GetParameter function
- Logic Pro Scripter MIDI plug-in SetParameter function
- Logic Pro Scripter MIDI plug-in ParameterChanged function
- Logic Pro Scripter MIDI plug-in Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Logic Pro Scripter MIDI plug-in controls
- Logic Pro Transposer MIDI plug-in
- Velocity Processor MIDI plug-in
- Modulation effects
- Logic Pro Modulation effects overview
- Logic Pro Chorus effect
- Logic Pro Ensemble effect
- Logic Pro Flanger effect
- Logic Pro Microphaser
- Logic Pro Modulation Delay
- Logic Pro Phaser effect
- Ringshifter
- Rotor Cabinet effect
- Logic Pro Scanner Vibrato effect
- Logic Pro Spreader
- Logic Pro Tremolo effect
- Multi Effects
- Logic Pro Multi Effects overview
- Phat FX
- Step FX
- Logic Pro Remix FX
- Pitch effects
- Reverb effects
- Logic Pro Reverb effects overview
- ChromaVerb
- Logic Pro EnVerb
- Logic Pro SilverVerb
- Space Designer convolution reverb
- Logic Pro Space Designer overview
- Logic Pro Space Designer interface
- Use impulse responses in Logic Pro
- Space Designer envelopes and EQ
- Space Designer global parameters
- Specialized effects
- Utilities and tools
- Legacy effects
- Logic Pro Legacy effects overview
- Logic Pro Legacy AVerb
- Logic Pro Legacy Bass Amp
- Logic Pro Legacy DeEsser
- Denoiser
- Logic Pro Legacy Ducker
- EQ
- GoldVerb
- Logic Pro Legacy Grooveshifter
- Guitar Amp Pro
- Logic Pro Legacy Guitar Amp Pro overview
- Logic Pro Legacy Guitar Amp Pro amplifier models
- Logic Pro Legacy Guitar Amp Pro cabinet models
- Logic Pro Legacy Guitar Amp Pro EQ
- Logic Pro Legacy Guitar Amp Pro amplifier controls
- Logic Pro Legacy Guitar Amp Pro effects
- Logic Pro Legacy Guitar Amp Pro mic parameters
- PlatinumVerb
- Logic Pro Legacy Silver Compressor
- Logic Pro Legacy Silver Gate
- Logic Pro Legacy Speech Enhancer
249Logic Pro Effects
Phat FX filter types: comb filters
A comb filter mixes the original signal with one or more copies of the signal, which are
delayed by a very short time interval. At some frequencies this mixture causes phase
cancelations, while at other frequencies it causes reinforcements. The result is a spiky
frequency spectrum with multiple resonant peaks. Graphically, these peaks resemble
the teeth of a comb, which gives this filter type its name.
Phat FX offers three comb filter designs, each with its own character. The best choice
depends on your preference and the type of sound you are trying to create. That said,
there are some distinguishing characteristics that may help guide you.
Comb Pos uses positive feedback on the delay lines, while Comb Neg uses negative
feedback to produce less extreme effects, often with a hollow quality. These two are
the less powerful combs and offer a much more gradual increase in resonance. They
can be useful when you require either a less dramatic effect or you want to hear more
of the exciter signal character in your sound. The latter point is noteworthy as this trait
can be useful when you want a more naturalistic sound.
Comb PM uses bipolar feedback on the delay lines. The resonance control is bipolar,
allowing you to freely shift from negative (hollow sound) on the left to positive (bright
and peaky) on the right. This comb is useful for classic bright Karplus-Strong style sounds,
where the exciter impulse is not easily heard and the comb is more prominent. Take care
with your resonance level because it is capable of quickly going to extremes, which can
lead to feedback. Start with a resonance level of zero and increase (or decrease) slowly
to find a suitable effect strength.
• Cutoff: Controls the delay time in the comb circuit. Lower cutoff values equate to a
longer delay.
• F-Back: Controls the amount of feedback in the comb circuit.
• Damp: Softens the frequency peaks in the comb-filtered spectrum.
Note: Sending a percussive sound into a highly resonant comb filter causes it to
ring at a frequency determined by the delay time you have set with the Cutoff knob.
Phat FX filter types: ring modulation
Ring modulation is a process in which a modulator and a carrier signal are multiplied. Each
frequency component of the modulator interacts with each frequency component of the
carrier to produce two sidebands: a sum and a difference (carrier – modulator). When a
filter is set to the RingMod type, the signal entering the filter acts as the modulator, while
the carrier is supplied internally by the filter.
• Frequency: Controls the carrier frequency.
• Mix: Applies a constant offset to the carrier.
• At 0%, the carrier wave varies between –1 and +1, resulting in classic ring modulation.
• At 100%, the carrier wave varies between 0 and 1, resulting in classic amplitude
modulation. In this case, the carrier signal itself is present alongside the sum
and difference sidebands.