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Table Of Contents
- Logic Pro 9: Exploring Logic Pro
- Contents
- Chapter 1: Welcome to Logic Pro
- Chapter 2: Building a Basic Project
- Chapter 3: Working with Instruments and Effects
- Chapter 4: Recording and Comping Audio
- Chapter 5: Recording MIDI
- Chapter 6: Creating an Arrangement
- Chapter 7: Flex Time Editing
- Chapter 8: Editing MIDI Events
- Chapter 9: Mixing the Project
- Chapter 10: Automating Your Mix
- Chapter 11: Getting Answers
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Flex Time Editing
You can use Flex Time editing functions to edit the timing of
single or multiple audio regions.
This chapter introduces you to the techniques used for Flex Time editing as well as
the track-based settings that detemine how the timing of your audio will be altered.
You’ll learn how to correct a single note or the timing of an entire region, all within the
Arrange window.
Flex Time editing greatly simplies the process required for altering the timing of audio
material. It allows you to compress or stretch the time between specied points in an
audio region without the need for more traditional processes like cutting, nudging, and
crossfading. Though comparable to what is sometimes referred to as elastic audio in
other applications, Flex Time editing provides unique advantages, such as the option to
employ beat slicing methods that do not rely on time stretching algorithms.
Flex Time editing is largely dependent on a set of markers called transient markers,
which denote signicant points in an audio le. The audio on a track is analyzed for
transients the rst time you enable that track for Flex Time editing. Any detected
transients in the le are marked with transient markers.