7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
98 Chapter 8 Modulation
Set the basic delay time with the Flanger-Chorus knob. Set to the far left position, the
Modulation Delay puts on its flanger cap. As you move towards the center position, it
thinks it’s a chorus. As you move the knob closer to the far right position, you will hear
clearly audible delay taps. This latter type of setting is generally used without
modulation (Width = 0), for doubling effects.
The Stereo Phase knob defines the phase of the modulation between the left and right
stereo sides. At 0°, the extreme values of the modulation are achieved simultaneously
on both sides, at 180°, the extreme values opposite each other are reached
simultaneously.
The Feedback slider determines the intensity at which the effect’s signal feedback is
routed to the input. If you’re going for radical flanging effects, enter a high Feedback
value. If simple doubling is what you’re after, you won’t want any feedback at all. The
Mix slider determines the balance between dry and wet signals.
The Controls view offers six further parameters:
If you set True Analog to on, an additional all-pass filter is switched into the signal path.
An all-pass filter shifts a signal’s phase angle, influencing its stereo image. Use Analog
Left and Analog Right to control the way that the allpass filter affects each of the stereo
channels.
The Speed LFO 1 R and Speed LFO 2 R sliders allow independent modulation rate settings
for LFO1 and 2 (for the right stereo channel). These parameters only work if the Free
option is chosen in the Stereo pull-down menu. With Stereo set to Link, the modulation
rates of the left and right stereo channels are tied to each other, and rates are set by
the LFO controls in the Plug-in window. In this situation, the Speed LFO 1 R and Speed
LFO 2 R parameters are non-functional.
Chorus
The Chorus effect is based on a delay line. It’s output is mixed with the original, dry
signal. While the chorus effects delay time is set internally, you can define its
modulation width (Intensity parameter) and modulation frequency (Speed parameter).
The Mix slider determines the balance of dry and wet signals.