7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
90 Chapter 6 Filter
Level
Level controls the volume of the EVOC 20 TO’s output signal.
Stereo Mode
This pull-down menu determines the input/output mode of the Synthesis filter bank.
Choices are: m/s—mono input to stereo output and s/s—stereo input to stereo output.
Note: The Stereo Mode should be set to m/s if the signal going into the Synthesis filter
bank is monophonic or Synthesis In is set to Osc.
Note: Stereo/stereo (s/s) is the preferred setting for stereo Synthesis input signals. In
this case, the stereo signal is processed by a separate filter bank for the left and right
channels. When using the m/s mode on stereo Synthesis input signals, the stereo signal
is first summed to mono before it is passed on to the Synthesis filter bank.
Stereo Width
Stereo Width distributes the output signals of the Synthesis section’s filter bands in the
stereo field.
• In the left position, the output of all bands are centered.
• In the center position, the output of all bands ascends from left to right.
• In the right position, the bands are output—alternately—on the left and right
channels.
Note: The stereo/stereo mode (s/s) uses one filter bank per channel. The positioning of
the frequency bands correspond to that described above, but the bands of each filter
bank ascend in opposing directions, from left to right.