7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 6 Filter 89
Mode
Here, you select the sound source(s) which can be used to replace the unvoiced content
of the input signal. Possible settings are Off, Noise, Noise + Synth, or Blend.
• Noise—uses noise alone for the unvoiced portions of the sound.
• Noise + Synth—uses noise and the synthesizer for the unvoiced portions of the
sound,
• Blend—uses the Analysis signal after it has passed through a highpass filter, for the
unvoiced portions of the sound. This filtered analysis signal is then mixed with the
EVOC 20 TO output signal. The Sensitivity parameter has no effect on this setting.
Level
Level controls the amount of the signal (Noise, Noise + Synth, or Blend) used to replace
the unvoiced content of the input signal.
Warning: Care should be taken with this control, particularly when a high Sensitivity
value is used, to avoid internally overloading the EVOC 20 TO.
Output Parameters
Signal
This pull-down menu offers the choice of Voc(oder), Syn(thesis) and Ana(lysis). Selection
of one of these determines the signal that you wish to send to the EVOC 20 TO’s main
outputs. To hear the vocoder effect, Signal must be set to Voc. The other two settings
are useful for monitoring purposes.