7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
82 Chapter 6 Filter
• Track—allows you to use the audio track, into which the EVOC 20 TO is inserted, as
the Synthesis source signal.
• Side Chain—allows you to use another audio track as the source material for the
Synthesis section. Selection of the Side Chain track is achieved by click-holding on the
Side Chain pull-down menu in the gray area at the top of the Plug-in window.
Note: If no Side Chain track is assigned in the Side Chain pull-down menu, the track’s
signal will be used.
Bands
The Bands window determines the number of frequency bands used by the
EVOC 20 TO. It ranges from 5 to 20. Adjustments are made by using the mouse as a
slider. The greater the number of bands, the more precisely the sound can be reshaped.
Note: Increasing the number of bands also increases the processor overhead.
The Tone Generator of the Tracking Oscillator
Depending on the position of the FM Int control, the tracking oscillators delivers either;
a sawtooth wave or the signal of an FM tone generator.
The FM tone generator consists of two oscillators, each generating a sine wave. The
frequency of Oscillator 1 is linearly modulated by Oscillator 2. This deforms the sine
wave of Oscillator 1 to a waveform with rich harmonic structure. Its harmonic structure
depends on the modulation intensity and the frequency ratio of both oscillators.
Tune
Coarse Tune offsets the pitch of the oscillator in semitones by up to ±2 octaves.
Fine Tune: The default value is concert pitch A = 440 Hz. The range is from 425.00 to
455.00 Hz.