7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
76 Chapter 6 Filter
Waveform
The Waveform switches allow the selection of the waveform type used by LFO Shift and
LFO Fade. A selection of Triangle, falling and rising Sawtooth, Square up and down
around zero (bipolar), Square up from zero (unipolar), a random stepped waveform
(S&H), and a smoothed random waveform is available for each LFO.
Intensity
The Intensity sliders control the amount of Formant Shift and Fade A/B modulation by
the respective LFOs.
Rate
These knobs determine the speed of the modulation. Values to the left of the center
positions are synchronized with the sequencer’s tempo and include bar values, triplet
values and more. Values to the right of the center positions are non-synchronous and
displayed in Hertz.
Note: The Formant Shift and Fade LFO modulations are the keys to the most
extraordinary sounds of the EVOC 20 FB: Make sure to set up totally different or
complementary filter curves in both filter banks. Use rhythmic material like a drumloop
as an input signal. Set up tempo-synchronized modulations—with different Rates for
each LFO—for Formant Shift and Fade A/B. And then try a tempo-synchronized Tape
Delay after the EVOC 20 FB. You will end up with unique rhythms.