7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 6 Filter 71
Warning: Please take care while doing this, or your ears and speaker system may be
damaged.
Relative Q
The quality of the main filter peak can be increased/decreased, relative to the model
setting, thereby obtaining a sharper/softer wah sweep. When set to a value of 0, the
original setting of the model is active. Range: −1.00 to +1.00 (0.00 is the default)
Pedal Range
Common MIDI foot pedals have a much larger mechanical range than most classic Wah
pedals.
The exact sweep range of the wah filter effected by the MIDI foot pedal is set with the
Pedal Range parameters. The highest and lowest possible value reached by the pedal is
graphically represented by a gray bracket around the Pedal Position fader (see below).
The left and right limit is set by clicking and moving it with the mouse. Additionally
both values can be moved simultaneously by clicking in the center of the bracket and
moving it to the left or right.
Pedal Position
This parameter represents the current position of the Wah pedal.
To control and automate the Pedal Position via an external MIDI controller for example
a MIDI pedal, your Logic environment has to be prepared accordingly. For more
information please read “Controlling the EVD6 via MIDI” on page 502.
AutoWah Depth
In addition to using MIDI foot pedals (see above), the wah effect can be controlled
using the Auto Wah facility. The sensitivity of the Auto Wah can be set with the Depth
parameter. Range: 0.00 to 100 . (See also the “Envelope (Depth)” section, from page 500
onwards.)