7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
70 Chapter 6 Filter
Fuzz-Wah
The Fuzz-Wah effect is the standalone plug-in version of the EVD6’s Wah effect. It
incorporates additional compressor and distortion (Fuzz) facilities, and features some
additional parameters over the integrated EVD6 Wah. These are outlined below.
Parameters of the Fuzz-Wah
FX Order
This parameter allows to you select the order in which the Fuzz/Wah effects are placed.
Choices are: Fuzz –Wah or Wah–Fuzz.
Wah Mode
There are simulations of several classic wah effects, as well as some basic filter types
available. Available models are: off, ResoLP, ResoHP, Peak, CryB, Morl1, Morl2.
Wah Level
Can be used to adjust the level of the wah-filtered signal, relative to the original level.
Also see the Auto Gain section below.
Auto Gain
While sweeping through the main formants of the input signal, the output level of the
Wah may vary wildly, which is not always desirable. Activating the Auto Gain parameter
will automatically compensate for this side-effect. Range: on/off
To hear the difference Auto Gain can make:
• Switch Auto Gain to on.
• Raise the effect level to a value just below the mixer’s clipping limit.
• Make a sweep with a high relative Q setting.
• Now switch Auto Gain to off, and repeat the sweep.