7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Glossary 593
reverb Reverb(eration) is the sound of a space. More specifically, the reflections of
soundwaves within a space. As an example, a handclap in a cathedral will reverberate
for a long time as sound waves bounce off the stone surfaces within a very large space.
A handclap in a broom closet will hardly reverberate at all. This is because the time it
takes for the soundwaves to reach the walls and bounce back to your ears is very short,
so the “reverb”’ effect will probably not even be heard.
RMS Root Mean Square. A measurement of the effective audio signal average. Used in
Logic’s analysis tools.
root note The central note of a musical scale or key, which all other notes are related
to.
routing Generally refers to the way audio is sent through processing units. Also often
used to describe specific input and output assignments.
sample A digital recording of a sound at a particular instant in time.
Sample Editor Logic’s Sample Editor allows stereo or mono audio files to be
destructively cut, reversed, shortened, changed in gain and processed in a number of
other ways. It allows editing of individual samples within an audio file consisting of
thousands or millions of samples. The Sample Editor also provides access to a number
of special sample processing tools, collectively known as the Digital Factory.
sampler Device used for sampling. In Logic, this generally refers to the EXS24 software-
based sampler.
sample rate When an analog audio signal is converted to a digital signal, this term
refers to the number of times per second the audio file is sampled. Logic can record
and edit audio at sample rates ranging from 44.1 kHz (44,100 times per second) up to
192 kHz (192,000 times per second).
sampling The process of converting analog audio into digital information. The sample
rate of an audio stream specifies the number of samples that are captured per second
(see sample rate). Higher sample rates yield higher quality audio.
saturation A term most commonly associated with a slight tape distortion or the
characteristics of tube amplifiers. It basically describes a very high gain level that causes
a slight distortion of the incoming signal, resulting in a warm, rounded sound.
scroll bar and scroll box Gray beam at the edge of a window. A movable box inside
the beam is used to select the displayed song section in the window.
self-oscillation Self-oscillation is a typical characteristic of analog filter circuits. It
occurs when the filter, at high resonance values, feeds back into itself and begins to
oscillate at its natural frequency.