7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
592 Glossary
PWM Pulse Width Modulation. Synthesizers often feature this facility, where a square
waveform is deformed by adjusting it’s pulse width. A square waveform usually sounds
hollow, and woody, whereas a pulse width modulated square wave sounds more reedy
and nasal.
Q factor A term generally associated with equalizers. The Q factor is the “quality” factor
of the equalization, and is used to select a narrower or broader frequency range within
the overall sonic spectrum of the incoming signal.
quantization Time-correction of note positions by moving them to the nearest point
on a selectable grid. When quantization is applied to any selected event or Region,
Logic will move all note events non-destructively to align perfectly with the nearest
grid position.
RAM Abbreviation for random-access memory. A computer’s memory capacity,
measured in megabytes (MB), which determines the amount of data the computer can
process and temporarily store at any given moment.
real-time effects Effects that can be applied to Regions in real time, without requiring
rendering before playback. Real-time effects can be played back with any Macintosh
computer qualified to run Logic.
ReCycle ReCycle is the name of an application from software manufacturer
Propellerheads, which mainly serves as an editing and production tool for loops
(repeatedly looped audio samples). ReCycle uses specific file formats (.REX) which can
be imported by Logic.
Region Regions can be found in the tracks of the Arrange window: They are
rectangular beams that act as containers for audio or MIDI data. There are three
different types of Regions: Audio Regions, MIDI Regions and Folder Regions. Also
see: Audio Region, MIDI Region and Folder.
Region Parameter box Box in the upper left corner of the Arrange window, used to
non-destructively set the playback parameters for individual Regions, including;
quantization, transposition, velocity, compression and delay. These parameters do not
alter the stored data. Rather, they affect how the events are played back.
resonance A term generally associated with filters, particularly those of synthesizers.
Resonance emphasizes the frequency range surrounding the cutoff frequency. See
cutoff frequency.