7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 5 Distortion 59
• US 1×10 open back—Not much resonance in the low frequency range. Suitable for
use with (blues) harmonicas.
• US 1×12 open back 1—Open enclosure of an American lead combo with a single 12"
speaker.
• US 1×12 open back 2—Open enclosure of an American clean/crunch combo with a
single 12" speaker.
• US 1×12 open back 3—Open enclosure of another American clean/crunch combo
with a single 12" speaker.
• US broad range—Cabinet simulation of a classic electric piano speaker.
• Analog simulation—Internal speaker simulation of a well-known British 19" tube
preamplifier.
• UK 1×12—A British Class A tube open back with a single 12" speaker.
• UK 4×12—Classic closed enclosure with four 12" speakers (black series), suitable for
Rock.
• US 1×12 open back—Open enclosure of an American lead combo with a single 12"
speaker.
• US 1×12 bass reflex—Closed bass reflex cabinet with a single 12" speaker.
• DI Box—This option allows you to bypass the speaker simulation section.
The EQ models in the EQ menu refer to the simulated Amp models. Accordingly, the
British 1, British 2, American, and Modern EQ models are available for the British Clean,
British Gain, American Clean, and American Gain Amp models. You can, however,
combine any Amp model with any EQ model, as required.
Directly below the EQ menu, you will find the Bass, Mid, and Treble controls. Use of
these knobs allows you to adjust the frequency ranges of the EQ models as desired.
Presence is an additional high frequency control which exclusively affects the output
stage (Master) of the Guitar Amp Pro plug-in.
The Link buttons between the menus link your menu selections. To explain, if the Link
button between the EQ and Amp menus is active (yellow), selecting an Amp model will
automatically load the corresponding EQ model. As mentioned earlier, you can,
however, assign any other EQ model to the selected amp—via the EQ menu.
If the Link button between the Speaker and Amp menus is active, selecting an Amp
model will automatically load the corresponding Speaker model. The cabinet
assignment can be changed via the Speaker menu, as required.
To the far left of the Amp section, you will find the Gain knob, which controls the pre-
amplification of the input signal. This control has different effects, dependent on the
selected Amp model. As an example: A maximum Gain setting produces a powerful
crunch sound when used in conjunction with the British Clean Amp model, but the
same Gain setting results in a heavy distortion—suitable for lead sounds—with the
British Gain or Modern Gain Amp models.