7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 29 EXS24 mkII 567
Select Range—The two Velocity Range parameters allow you to set up a velocity range
for the Group. The settings made here override the settings in the Zones, if
necessary: When a Zone’s velocity range is larger than that allowed by the Group
setting, the Zone’s velocity range is limited by the Group setting.
Trigger on
Key Down (default)—Zones pointing to this group are triggered on key down.
Key Release—Zones pointing to this group are triggered on key release. This allows you
to trigger additional samples on key release. This is useful for emulating organ key
clicks, for example.
Select by
If this option is enabled, you can define a specific key. Whenever the defined key is
pressed, zones pointing to this group are played by ensuing MIDI note data, and other
groups (selected by a different key) are not played. The defined key is not played itself,
it simply acts as a remote.
This feature also works with other MIDI events (Controllers, Bends), and Groups.
As you select the different menu options, the display will update to allow the entry of
the desired continuous controller number (CC 19, for example) and range, or Group
selection, as appropriate.
Key Range
The Key Range allows you to define a key range within the Group that will be affected
by this functionality.
ADSR Offsets
The amp(litude) envelope settings from the Plug-in window can be offset separately for
each Group by these parameters. Each time parameter has an offset range of
±9999 ms, the sustain level can be varied by ±50%. The offset fields are for Attack,
Decay, Sustain, and Release—from left to right.
Filter Offsets
The Cutoff Offset setting of the Plug-in window can be offset separately for each Group
(±50%).
The Resonance Offset setting of the Plug-in window can be offset separately for each
Group (±50%).