7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
552 Chapter 29 EXS24 mkII
Second Order Modulations
The EXS24 also allows the use of second order modulation destinations (such as
envelope times, LFO speeds and so on)—functionally outperforming many analog
synthesizers. To explain:
• The same source can be used as often as desired to control different destinations.
• The same destination can be controlled by different sources. The different input
values are accumulated.
EXS24 mkI Modulation Paths
Many of the hard-wired modulation paths that were available as sliders on the original
EXS24 (mkI) are now part of the Modulation Matrix. In order to reconstitute the
modulation slider configuration of the mkI version, click on the options button in the
upper-right corner and choose (Recall default EXS24 mkI settings) from the pop-up
menu. This will load the mkI modulation paths into the Modulation Matrix, as follows:
• Velocity to Sample Select
• LFO 1 to Pitch via ModWheel (= Ctrl#1)
• Velocity to Sample Start (inv)
• LFO 2 to Filter Cutoff via ModWheel
• Velocity to Filter Cutoff
• Envelope 1 to Filter Cutoff via Velocity
• LFO 2 to Pan via ModWheel
You can, of course, freely alter the settings of these modulation paths. To exchange
modulation sources with sources that were not available in EXS24 mkI, for example (see
the complete list of sources and destinations below).
EXS24 mkI Backward Compatibility
For technical reasons, the settings of the Modulation Matrix can not translate
backwards to the EXS24 mkI. If you are a sound designer and want your products to be
compatible for Logic 4.x users, we recommend the use of Logic version 5.3
(Mac OS X: 5.4) with the EXS24 mkI.
Modulation Sources Modulation Destinations
Sample Select Side Chain (level)
Sample Start Maximum
Glide Time Env1
Pitch Env2 (Amp)
Filter Drive LFO 1
Filter Cutoff LFO 2
Filter Resonance LFO 3
Volume Release Velocity
Pan Pressure
Relative Volume Pitch Bend