7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 29 EXS24 mkII 551
You have the option of inserting another modulation source in the middle slot labeled
via. In this scenario, the green triangular fader will divide, allowing you to set a range
for modulation depth. The size of the modulation range depends on the possible
values allowed by the via modulation source.
In our example, the key number of the MIDI keyboard (Key) determines how strongly
channel pressure controls the Speed of LFO1. More experienced users would read the
picture like this: pressure to LFO1 Speed via key number.
Inverting Sources
You can also invert the direction of the source’s effect on modulation depth by clicking
the inv button (right of the word Src or via), depending on which of the sources you
would like to invert.
In this example, we inverted the via modulation source. You can see how the green and
orange triangles have swapped positions. The orange triangle always marks the
modulation depth for the maximum value of the via source, while the green triangle
always marks the modulation depth if the via source is at its minimum value. They are
reversed by inverting the modulation.
Bypassing Modulation Paths
You can temporarily disable the entire modulation path with the b/p button, found
alongside the word Dest.
0
In our example, both modulation sources—Pressure and Key—are disconnected from
the LFO1 Speed modulation destination. Clicking the b/p button a second time
reconnects the modulation path, restoring the old modulation depth settings.