7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
550 Chapter 29 EXS24 mkII
LFO 2 Rate
The frequency of LFO 2. It can be set in note values (left area), or in Hertz (right area). In
the centered position (which can be set by clicking on the small 0 button), the LFO is
halted, and generates a constant modulation value with full level (DC = Direct Current).
Again, don’t overlook this feature if you want to control an LFO-modulated parameter
directly via the Modulation Matrix (see following section).
LFO 3 Rate
There is a third LFO available which always uses a triangular waveform. LFO 3 can
oscillate freely between 0 and 35 Hz, or can be tempo synchronized in values between
32 bars and 1/128 triplets.
Modulation Matrix
The Modulation Matrix is the dark horizontal band that spans the center of the EXS24
interface. It consists of ten modulation paths, each linking a modulation Source with a
modulation Destination (the sound parameter that you want to modulate). This is
similar to the use of patch cords on modular synthesizers, but with the additional
option of control over the modulation amount via another modulation source.
Creating a new modulation path is easy:
• first, choose the Destination (Dest)
• then choose the Source (Src)
The green triangular fader on the right side of each modulation path allows you to set
the modulation depth with a bipolar range (positive or negative value).
In this example, the LFO 1 Speed is modulated by channel pressure (aftertouch)
messages of a MIDI keyboard.