7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 29 EXS24 mkII 547
Bandpass (BP)
The Bandpass Filter is a 2 pole (12 dB/Oct.) design. A Bandpass filter only allows the
frequency bands directly surrounding the cutoff frequency to pass. Frequencies which
fall outside these boundaries will be cut.
Drive
This knob allows the filter input to be overdriven. Turning Drive up leads to a more
dense and saturated signal, with additional harmonics being introduced/becoming
audible.
Cutoff
The cutoff frequency of the lowpass filter. As you turn this knob to the left, an
increasing number of high frequencies are filtered from the signal. The Cutoff value also
serves as the starting point for any modulation involving the filter.
Resonance
Turning up Resonance leads to an emphasis of the frequency area surrounding the
frequency defined by the Cutoff parameter. Very high Resonance values introduce self
oscillation, and cause the filter to produce a sound (a sine wave) on its own.
Simultaneous Control of Cutoff and Resonance
By clicking and dragging on the chain symbol located between the Cutoff and the
Resonance knobs, you can control both parameters simultaneously: vertical mouse
movements alter Cutoff, and horizontal mouse movements affect Resonance values.
Key
This knob defines the amount of filter cutoff frequency as determined by note number.
When Key is fully turned to the left, the cutoff frequency is not affected by the note
number, and is identical for all notes played. When Key is set fully right, the cutoff
frequency follows the note number 1:1—if you play one octave higher, Cutoff is also
shifted by one octave. This parameter is very useful in avoiding overly filtered high
notes.