7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 29 EXS24 mkII 541
Options Button
Clicking the Options button launches a menu that offers the following options:
• Recall default EXS24 settings recalls a neutral setting for all parameters in the Plug-in
window.
• Recall settings from instrument command manually recalls the original parameter
settings of the loaded Sampler Instrument. This parameter is extremely useful if
you’ve been over zealous with your tweaking.
• Save settings to instrument parameter stores the current settings of the Plug-in
window into the Instrument file. When the Instrument is reloaded, these settings are
restored in the Plug-in window.
• Delete Settings from instrument removes the stored settings from the Instrument.
• Rename instrument allows the renaming of the currently opened Sampler Instrument.
When invoked, a file dialog box will open. This will overwrite the existing Instrument
name.
• Save instrument as allows the storage of the currently opened Sampler Instrument
under a different name. When invoked, a file dialog box will open.
• Delete instrument will delete the opened Sampler Instrument.
• (Recall default EXS24 mkI settings) does almost the same as the first entry, but the
settings for the former version of the EXS are recalled for the selected Instrument,
especially the former modulation paths (see “EXS24 mkI Modulation Paths” section,
from page 552 onwards).
• Extract MIDI-Region(s) from Recycle Instrument allows you to extract the Regions
contained in a Recycle Instrument. If no Recycle Instrument is selected, this option is
not active.
• AKAI Convert launches the AKAI Convert window (see “To convert AKAI files” on
page 535). This menu option accelerates working with AKAI samples, as you do not
need to open the EXS24 Instrument Editor.
• SoundFont Convert
SampleCell Convert
DLS Convert
Giga Convert each will launch a dialog with instructions on performing these
conversions. In order to play back long Gigasampler audio files, the Virtual Sample
Memory option should be active (see below).
• Preferences opens a window with preferences for each Sampler Instrument (see
“Preferences” section, from page 558 onwards).