7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
52 Chapter 4 Dynamic
Multipressor
The Multipressor (an abbreviation for multiband compressor) is the epitome of an
audio mastering tool. It’s a pretty complex tool; good sounding settings require quite a
lot of listening experience.
Functional Principle of Multi-band Compressors
The multi-band compressor splits the incoming signal into two to four different
frequency bands before applying compression. These frequency bands are then
compressed independently. After compression, the frequency bands are mixed back
together.
The aim of independent compression of different frequency bands is to reach high
compression levels on the bands that need it, without the pumping effect that is
normally heard at high compression levels.
Much higher Ratios, and therefore, a much higher average volume is possible before
the unwanted artefacts of compression will be heard.
Downward Expansion
Strong multi-band compression allows you to raise the overall volume level—resulting
in a dramatic increase of the existing noise floor. Downward expansion allows you to
reduce or suppress this noise. Each frequency band features a downward expander.
This works as the exact counterpart to the compressor: while the compressor
compresses the dynamic range of the higher volume levels, the downward expander
expands the dynamic range of the lower volume levels. With downward expansion, the
signal will be reduced in level when it is lower than the defined Threshold level. The
effect can be compared to a noise gate, but rather than simply cutting off the sound, it
smoothly fades the volume using an adjustable Ratio.