7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
516 Chapter 28 EVP88
The model Funk Piano does not sound realistic in the bass. We’ve added this special
synthetic sound of the piano engine as a bonus.
Hohner Electra Piano
Not to be confused with the all-electronic RMI Electrapiano, the extremely rare Hohner
Electra Piano offers striking hammers like those of the Rhodes, but a stiffer keyboard
action. It was designed to resemble the look of a conventional acoustic upright piano.
John Paul Jones of Led Zeppelin played it on “Stairway to Heaven”, “Misty Mountain
Hop” and “No Quarter”.
Hohner Electra Model:
• Electra Piano
EVP88 and MIDI
Adaptation of Your MIDI Keyboards Velocity Sensitivity
The EVP88 responds with extreme sensitivity to the velocity information transmitted
with MIDI note messages. It’s advisable to set Logic’s velocity and dynamic track
parameters with care. In Logic Pro, you can try the following tip to fine-tune the
velocity curve if you find that you’re not getting the right feel with your MIDI keyboard.
• Create a Transformer object in the Environment, and cable it between the Physical
Input and Sequencer Input objects on the Click and Ports layer.
• Set the transformer parameters so that all MIDI events with the condition “note” are
set to Use Map under Vel in the lower operation line.
You can then “draw” your own individual keyboard velocity curve. For more detailed
information, please refer to the Environment chapter of the Logic Pro reference manual.