7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 28 EVP88 507
Voices
The voices parameter allows you to set the maximum number of voices that can sound
simultaneously. Lowering the value of this parameter limits the polyphony and
processing requirements of the EVP88. When the parameter is set to 1, the instrument
is monophonic, and uses minimal CPU power. The maximum setting is 88, allowing for
glissandi over the entire keyboard range with the sustain pedal depressed. A setting of
88 will, of course, be more processor-intensive.
Tune
The global Tune setting works in cent steps. A value of 0 equals concert-pitch A 440 Hz.
The range is ±50 cents or, in more “musical” terms, plus/minus half a semitone. For
transpositions in semitone or octave steps, please use the Region Parameter box in the
Arrange window, as per any standard MIDI instrument.
Model Parameters
Decay
Decay time of the piano sound. The lower the value, the less the sound is sustained,
and the higher the level of damping applied to the vibration of the “tines”. When short
values are used for this parameter, the main tone is more pronounced, and sounds
longer than the transient harmonics. The effect is somewhat reminiscent of an electric
guitar string being damped with the palm of the picking hand. Electric pianos can be
modified in a similar way. Longer settings result in more sustain and a less dynamic
feel.
Note: Check out Logic’s compressor plug-ins and experiment with different settings for
decay.