7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
502 Chapter 27 EVD6
High values lead to very deep, self-oscillating phase shifts, for those cutting (and ear
and speaker damaging, so take care!) sounds.
Chorus
The Rate parameter adjusts the speed of the Chorus effect, and the Intensity parameter
adjusts its depth. High Intensity values lead to ensemble-type effects.
Ranges: Rate −0.10 Hz to 10 Hz, Intensity −0 to 100
Flanger
The Rate parameter adjusts the speed of flanging, and the Intensity parameter adjusts
the depth of flanging. Ranges: Rate −0.10 Hz to 10 Hz, Intensity −0 to 100 .
FX Order
The order of the serial effects combination can be selected here. The four choices are:
• WDM—Wah > Distortion > Modulation
• DWM—Distortion > Wah > Modulation
• MDW—Modulation > Distortion > Wah
• WMD—Wah > Modulation > Distortion
Just like the foot pedals which could be freely connected to each other in series, the
EVD6 effect section invites you to experiment.
The freely assignable effect routing is especially useful for selecting whether a distorted
signal shall be wah-filtered, or if the wah-filtered sound shall be distorted (for
screaming sounds), as one example.
Controlling the EVD6 via MIDI
It is possible to control and automate the parameters of the EVD6 and other plug-ins
using the MIDI controls provided by many master keyboards or MIDI fader boxes.
MIDI controller assignments (Wah Ctrl, Damper Ctrl) are only updated if the default
setting is loaded or a setting that was saved with a song is loaded, with one
exception: If Velocity is chosen in a setting, the assignment is updated. When selecting
a setting that has any controller other than velocity assigned, the default value or the
last manually selected value (other than velocity) is used.
All parameters that allow you to select a MIDI controller offer a Learn entry. If this
option is selected, the parameter will automatically be assigned to the first appropriate
incoming MIDI data message.
Note: As the new entry is added at the top of the list, existing automation data needs
to be incremented by one.