7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
494 Chapter 27 EVD6
Velocity Curve
There are nine preset velocity curves available for the EVD6. These allow you to set up a
curve which is suitable for your playing style, or the sound.
The nine curves available are: fix25%, fix50%, fix75%, fix100%, convex1, convex2, linear
(the default), concave1, and concave2.
Excite Parameters
Excite describes the string excitation, the physical power which stimulates the string to
oscillate.
Shape
Shape adjusts the attack shape, allowing you to simulate the hardness of the rubber
hammers in the original D6. As the instrument aged, the hammers would become
worn, split, and so on, which had an impact on the overall brightness/tone of the D6.
Negative values (to the left) provide a softer attack, while positive values result in a
harder attack. Range: −1.00 to +1.00
Brilliance
Controls the harmonic content of string excitation. Positive values (to the right) result in
a sharper sound. Negative values result in a more muted sound. Range: −1.00 to +1.00
Click Parameters
The rubber hammers of the original D6 age and decay, just like piano hammer felts.
Well-loved (worn out) D6’s produce a distinctive click when a key is released. This is due
to the string sticking to the rubber hammer, before being released. The characteristics
of this release click are part of each model, and can be finely adjusted with the
following parameters.
Intensity
Positive values increase the level of the release click above the original model setting.
Negative values reduce the level—a value of −1.00 equals no release click. If you’d like
to simulate an old D6, increase the value, by moving the slider to the right.
Range: −1.00 to +1.00