7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 27 EVD6 491
Model
The Model parameter allows you to select a basic type of tone, or “model”. Each model
has its own unique tonal characteristic, and each is suitable for the creation of very
different sounds. Each model is an instrument in its own right, and can immediately be
played, without any further editing. We will discuss each model below, and encourage
you to experiment with each.
To select a model, simply click-hold in the area between the Stereo Spread and Level
controls, and make your choice from the pop-up list. Release the mouse button once
your selection is made. All EVD6 parameters are available to further shape the tonal
character of the model.
In some respects, the Model parameter can be viewed much like making an oscillator
waveform selection in a synthesizer. As with raw synthesizer waveforms, the editing
parameters can affect the model quite differently. As an example, particular Excite
settings may make one model more “nasal” sounding, and another model more “noisy”.
These behavioral differences are a result of the unique harmonic structures used by
each model.
The Models
Class(ic) D6
An almost 1:1 emulation of the original D6. It includes string noises on long decays,
and realistic release behavior, following the release of the key(s). Each D6 was unique in
its way, so feel free to adjust the many sound shaping controls, in order to match the
sound of D6 units that you have used, or heard.
Old D6
This model emulates a well-worn D6. Hammers and strings are a bit aged, and worn.
The sound of the sticky hammer heads is emulated, as well as the typically “richer”
sound in the bass range.
Sharp D6
Very sharp with a lot of bite—nice with wah wah and phaser.
Mello(w) D6
As the name suggests, a mellow fellow.
Basic
Basic, simple clavinet