7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
490 Chapter 27 EVD6
Stereo Spread
Pickup—While the original D6 only has a mono output, the EVD6 has stereo
capabilities. When both pickups are active (upper
+
lower and upper
−
lower modes), the
two pickup signals can be spread across the stereo spectrum. To adjust the position of
the stereo spread, click-hold on the up/down arrows in the lower half of the circular
button—in the Pickup section.
Turning the Pickup Spread control up will move the signals of both pickups away from
the center position—one to the right, and the other to the left. Extreme left/right
positions are reached when Spread is set to its maximum value. Range: 0.00 (center, no
effect) to 1.00 (full left/right stereo).
More information on the use of the pickups is found in “Pickup Parameters” on
page 497.
Key—This parameter allows a keyscale modulation of the panning position—panning
is determined by keyboard position. The center position is MIDI note 60 (Yamaha C3).
To adjust the Key(board) position, click-hold on the up/down arrows in the top half of
the circular button—in the Key section.
When fully turned up, the extreme left/right position will be reached at MIDI note 60
±30 semitones. Range: (center, no effect) to 1.00 (full left/right stereo).
Note: You can use both spread types at the same time. They will automatically be
mixed.
Note: The effect of both stereo spread parameters is reflected graphically in the area
around the circular Stereo Spread button.