7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 27 EVD6 489
Filter Switches
The four filter switches emulate the original switches on the D6, with one exception.
When all switches are set to off, you’ll hear the unfiltered sound, rather than the original
D6’s “humming silence”. Simply click anywhere on each switch to toggle between its
on/off position. Active switches are indicated by pale green lettering, and by being
depressed towards the bottom of the Plug-in window. You may use the filter switches
in any combination of on/off positions.
• Brilliant—makes the sound nasal/cuts bass.
• Treble—makes the sound sharper/cuts bass more gently.
• Medium—makes the sound thinner/slight bass reduction.
• Soft—makes the sound softer/more muted.
Pickup Switches
As with the original D6, the two pickups can be used in different modes. The AB and CD
switches are used to change modes. The internal wiring of the two pickups is changed
in accordance with the different switch positions, and with it, the sound at the
combined pickup output. The EVD6 features an additional menu that displays the
current pickup mode above the pickup switches. More information on the use of these
parameters/the pickups is found in “Pickup Parameters” on page 497.
C/D Switch A/B Switch What It Does
down down “neck” pickup—warm sound
down up “bridge” pickup—bright sound
up up both pickups—full sound
up down both pickups out of phase—thin sound