7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
474 Chapter 26 EVB3
The Tone control only affects the distorted portion of the sound, while the dry signal
portion remains unaffected. This allows for very warm overdriven sounds that won’t
become “scratchy” if you try to get more treble out of the instrument.
Drive controls the amount of overdrive distortion. The output level is automatically
compensated for, so there’s no need for another master volume control adjustment
facility.
Rotor Cabinet
The Hammond story can’t be fully told without a chapter on the rotor sound cabinets,
manufactured by Leslie. In fact, playing the B3 organ without a rotor cabinet is viewed
as a “special effect” these days. The EVB3’s rotor cabinet section simulates not only the
speaker cabinet itself, but also the microphones which pick up the sound.
Cabinet
There are five settings available:
Off
In the Off setting, there’s no rotor effect at all and you’ll hear the direct output signal of
the organ, and/or the other effects. There’s an alternative to switching the rotor effect
off: in the Brake mode, the speakers don’t rotate, but are still picked up by the
simulated microphones, in a random position. (see paragraph “Rotor Speed” below).
Wood
The Wood setting mimics a Leslie with a wooden enclosure, and sounds like the Leslie
122 or 147 models.
Proline
The Proline setting mimics a Leslie with a more open enclosure, similar to a Leslie 760
model.
Single
In the Single setting, the sound of a Leslie with a single, full-range, rotor is simulated.
The sound resembles the Leslie 825 model.
Split
In the Split setting, the bass rotor’s signal is routed more to the left side, and the treble
rotor’s signal is routed more to the right side.
Wood & Horn IR
This setting uses an Impulse Response of a Leslie with a wooden enclosure.