7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
472 Chapter 26 EVB3
Reverb
Box, Small, Medium, Large, Big, and Spring are the names of the reverb algorithms.
Reverb level is defined by the Reverb parameter. A Reverb =0 value conserves
processing resources.
You can also select Bypass in the Reverb Mode pull-down menu, if you want to disable
the reverb without changing its level.
The reverb is always patched after the EQ, wah wah and distortion effects, but before
the rotor effect. This means that the reverb always sounds as if it is played back
through the rotor speaker. To hear the reverb after the rotor, switch off the organ’s
reverb, and use an aux send to apply reverb to the Audio Instrument object.
Wah
The name “Wah Wah” comes from the sound it produces. It has been a popular effect
with electric guitarists since the days of Jimi Hendrix. The pedal controls the cutoff
frequency of a band pass, low pass, or—less commonly—high pass filter. The wah wah
pedal has also been used extensively with the Hammond organ.
MIDI Pedal Control
It is recommended that you permanently attach an Expression Pedal to your MIDI
master keyboard. Your master keyboard should transmit MIDI control change #11
(Expression real-time volume), if you attach an Expression Pedal to the Expression jack
and move it. This would normally be used to control the volume while playing.
If you program an EVB3 setting, set the Expression parameter to 0, and then define a
wah wah effect (with controller 11 controlling the wah wah’s cutoff frequency), you can
control the wah wah with the pedal—without having to program anything on the
master keyboard.
Read more on this in the “MIDI Setup” on page 456. You should also consult the users
manual of your keyboard.
Wah Wah Control with other MIDI-Controllers or Aftertouch
You can use any MIDI control change message to control the wah wah effect. You can
select any controller number and Channel Aftertouch (Touch) in the CC field.