7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
468 Chapter 26 EVB3
Filter Age
The high frequency output signals of the B3’s tone wheel generators are filtered by
bandpass filters. The center frequency of these filters varies as the capacitors age. Filter
Age allows you to alter the center frequencies of the filters. This colors the sound of the
jitter applied by Random FM and the background noise resulting from Leakage. (See
“Leakage” on page 467 and “Random FM” on page 467.) This parameter also influences
the intonation of the organ, if you use the pitch bender.
Click
The key contacts of electro-mechanical tonewheel organs tend to “saw” a little on the
busbar, introducing a short click sound. If any corrosion occurs to the key contacts or
busbar, this will increase the length, and level, of this click. This aspect of the B3’s
design causes irregular scratching noises (commonly referred to as “keyclick”), when
striking and releasing keys. Hammond fans like these clicking noises, as they introduce
a transient, percussive quality to the note. The EVB3 allows you to adjust the volume
and sound of the key click. The click sound is altered randomly, and independently,
from the click on and click off (release) volume settings.
Click On/Click Off
These two knobs independently control the click volume for the beginning (Click On),
and release, of the note (Click Off). The click off is quieter, even if both controls are set
to the same position.
Click Min/Click Max
Not only are the tone color, and volume, of clicks altered randomly, but also their
duration. Click duration can vary between a short “tick” and a longer “scratch”. Minimum
duration is defined by Click Min, and maximum duration with Click Max. The duration is
displayed in milliseconds, as you move the sliders.
Note: Even if both parameters have identical values, there is still a random variation in
sound. This variation makes some clicks seem shorter than the value set with Click Min.
Click Color
Set the tone color of the click here. Despite its random variation, you can define its
treble portion globally.