7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
466 Chapter 26 EVB3
Max Wheels
Calculating (emulating) all tone wheel generators consumes considerable CPU
processing power. A reduction of this parameter value reduces the EVB3’s hunger for
processing resources.
Note: This will diminish some overtones, so you should not reduce this value if you’re
after an ultra-realistic simulation.
Tonal Balance
Tonal Balance changes the mix relationship of the higher/lower sounding tone wheels.
Positive values result in a lighter and brighter sound. Experiment with different Tonal
Balance and Equalizer settings. See the “Equalizer” on page 471, for further information.
Shape
While the Hammond’s tone generators produce pure sine waves (despite technical
artefacts), other organs deliver distorted waveforms. You can produce sounds
resembling those of Farfisa, Solina or Yamaha organs with the Shape parameters.
You can subtly alter the waveform of the sounds emanating from the tonewheel
generator with the Shape parameter. Moving the parameter to the right will make the
tone brighter (and louder), and moving it to left will make it duller (and softer).
Note: The Shape parameter is placed after the filters which follow the sine generators.
Bass Filter
The sound of the Pedal drawbars often appears to be somewhat “brilliant”, within the
overall musical context. To circumvent this issue, and to suppress the treble of the bass
register, please make use of the Bass Filter. When active, you will only hear a solid bass
organ fundamental in the bass register.
Ultra Bass
If you switch on Ultra Bass, another low octave will be added to the playable range of
the Upper and Lower manuals. These additional low octaves, and the ability to
independently transpose both manuals (see “Transposition (Octave Range)” on
page 458), are not available on the original B3.