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Chapter 26 EVB3 465
If you hold the cancel key (C) on your master keyboard with the small finger of your left
hand, and sustain a chord with your right hand, you can trigger the chord with
different registrations, by pressing the preset keys with the other fingers of your left
hand. This results in an organ-specific gater type effect, which wouldn’t be possible
with the right hand alone.
Morphing
You can switch between the presets of the Upper manual with any keyboard. To be
more precise, you can switch between registers with any MIDI controller—such as the
modulation wheel. Choose the desired MIDI controller with the Midi CC parameter.
The step or linear Mode parameter options determine whether an abrupt switch, or a
seamless morph (cross-fade), occurs between presets.
Note: Switching the registers with this morphing function is only available for the
Upper manual.
Range
After deciding on a controller to use for switching or morphing the Upper manual
registers, you can determine the number of preset keys that are affected.
The morphing (or switching) always begins with the top preset key, the B. Range
defines the “end” preset key. If Range = A#, you will switch or morph between two
presets. If Range = G#, you will switch or morph between four presets (B, A#, A, and G).
Save To
In Linear Mode (morphing instead of switching), the seamless crossfades result in a
variety of new drawbar registrations you might want to save. Before saving, you may
wish to alter some drawbar positions manually. Click the words Save To, and select the
destination preset key. You do not need to do anything else, in order to save the setting
to another preset key.
Note: As soon as you morph, the Morph text turns orange, indicating changes—in
other words, you’re performing a morph. The morphing result(s) can be further
modified with the drawbars, but are lost if you don’t save it/them. The Morph text will
start to flash if any drawbar modifications are made, indicating changes to the Morph
values.
Organ
The Organ parameters adjust the overall behavior of your EVB3.
The Lower Volume and Pedal Volume parameters are discussed in “Relative Volumes—
Upper/Lower/Pedal” on page 461. The Perc parameter is discussed in “Percussion” on
page 463.