7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 26 EVB3 459
If you select MIDI Mode = RK, every drawbar responds to a specific MIDI control change
number, commencing with CC #70. (Non-drawbar parameters may be set using control
change messages up to CC #118).
If you select MIDI Mode = HS, all of the EVB3 drawbars will be controlled by just a few
control change numbers—CC #80–82. Its values are intelligently mapped to all
drawbars. The resolution of this technique is not particularly high (much like the
original B3), but it works well. The Hammond-Suzuki XB-2 uses this controller
assignment method, allowing you to remotely control the EVB3’s drawbars.
If you select MIDI Mode = NI, the Native Instruments B4 settings will be replicated,
allowing the use of the Native Instruments B4D Drawbar controller.
If you select MIDI Mode = off, the EVB3 will not respond to MIDI drawbar messages.
Note: Before you commence a recording session with drawbar movements, performed
on a hardware organ and the EVB3 set to MIDI Mode HS, we recommend that you
disable MIDI Data Reduction in Logic. The parameter is located in File > Song Settings >
Recording. The function thins out the incoming data stream, which is hardly ever
noticed with normal controller assignments. The controller mapping of the Hammond
XB-2’s drawbars, however, exploits the controllers to their limits. Therefore, MIDI Data
Reduction can lead to incorrect values. Switch the parameter on after the drawbar
recording session, in order to regain memory and processing resources.