7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
458 Chapter 26 EVB3
Keyboard Split
The EVB3 can also be played perfectly with a single MIDI keyboard (one manual) that is
only capable of transmitting on one MIDI send channel. You can split the keyboard in
order to play Upper, Lower, and Pedal sounds on different keyboard zones.
In the parameter field in the bottom center of the GUI, set Keyboard Mode = Split.
Set the keyboard zones with the UL Split and LP Split parameters, in conjunction with
the Set buttons. The abbreviations are for: Upper/Lower and Lower/Pedal. To do so,
simply click on the appropriate Set button (it will turn orange), and press the desired
note on your MIDI keyboard.
Note: If the LP Split is set to a value above the UL Split, the other splitpoint is moved
(and vice versa).
Note: If you select the same value for both splitpoints, the Lower manual is not heard/
active.
Note: In order to use preset switching in conjunction with Keyboard Mode Split, you
might need to adjust the transpositions for the Upper Manual (Trans UM), Lower
Manual (Trans LM) and Pedal (Trans Ped).
Transposition (Octave Range)
You can individually transpose the Upper (Trans UM), Lower (Trans LM) and Pedal (Trans
Ped) registers up/down one or two octaves, independent of the global transpose
functions. Transposition is useful for setting the various registers to a particular range,
matching your needs. This facility is of particular importance when using split mode.
Note: As with Logic’s global transposition functions (which can be set in semitones),
these manual-specific transpositions have no impact on the preset keys. Also see
“Preset Keys and Morphing” on page 464.
MIDI Mode
This parameter allows you to define how the drawbar settings will respond to remote
MIDI control change messages. Normally, you won’t need to change anything here. If
you own a MIDI drawbar organ, however, you’ll probably want to use its hardware
drawbars to control the EVB3. Most hardware drawbar organs utilize an independent
control change number for every drawbar. Some models allow you to freely define
these control change numbers. Lists of control change number assignments for the
following MIDI Modes can be found in the “MIDI Controller Assignments” section, on
page 477.