7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 26 EVB3 457
Logic records the channel information of incoming notes. With most other MIDI and
software instruments, this information is not used at all. This is due to Logic’s MIDI
channel setting (in the instrument parameters), which has priority, and overrides the
original channel information. This can be circumvented by setting MIDI Cha = All, which
is recommended for the EVB3. This will force the original channel information to be
used. This enables you to make use of the two manuals, and Pedal register of the organ
directly and simultaneously—when playing live.
Note: Please read the users manual of your master keyboard, to learn how to set its
MIDI transmission channel, often abbreviated as TX Channel.
Changing MIDI Channels
You also can set the EVB3 to receive on MIDI channels other than 1 for Upper, 2 for
Lower and 3 for Pedal. This is done with the Basic MIDI Ch parameter in the General
section. The receive channel number for Lower is always one (channel) number higher
than the channel assigned to Upper with the Basic MIDI Ch parameter. The Pedal register
receive channel is always two (channel numbers) higher than the Basic MIDI Ch selected
for Upper.
Note: The Basic MIDI Ch parameter is only available in the Controls view. Click-hold the
Editor pull-down menu at the top of the Plug-in window to access.
Note: Basic MIDI Ch only works if Keyboard Mode is set to Multi.
Note: When the Basic MIDI Ch is set to 16, the Lower manual receives on channel 1, and
the Pedal register on channel 2. When the base MIDI Ch is set to 15, Lower receives on
channel 16, and the Pedal register receives on channel 1.
Note: Selection of different MIDI channels may be necessary in a live performance
situation, particularly if you need to change the MIDI transmission channel of your
master keyboard, in order to play other sound generators.
Keyboard Ranges of the Upper and Lower Manual
The lowest playable MIDI note is 36 (C1). The range of the preset keys is note # 24 to 35
(C0 to B0).
Note: 128 notes are defined in the MIDI specification, but even the largest master
keyboards are only equipped with 88 keys, just like a concert grand piano.
One example: If your master keyboard ranges from C to c (5 octaves—61 keys), and the
Region and Object parameters of Logic are set to zero (Transpose. = 0), you can play the
entire keyboard range—every possible note of the EVB3. The preset (registration) keys
are positioned one octave lower. If you set Transpose. = −12 , you can use the lowest
octave to switch between presets.