7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
26
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26 EVB3
This chapter introduces Logic’s EVB3 virtual Hammond
organ.
An electro-mechanical Hammond organ, with tonewheels and a Leslie sound cabinet,
cannot be replaced by anything other than an electro-mechanical Hammond organ,
with tonewheels and a Leslie sound cabinet! Having said that: The EVB3 offers a truly
portable alternative to this classic pop, rock, and jazz instrument.
Concepts and Function
The EVB3 software instrument mimics the sound, and use, of the Hammond B3 and
Leslie sound cabinet. Being a software instrument, the EVB3 is not only lighter and
more portable than its big, heavy counterpart, it’s also much easier to integrate into
Logic’s production environment. There’s no need for any cabling or microphone setup,
for live-performances. The same applies to the recording of realistic organ tracks, with
the added bonus of full editing facilities at any stage of production.
The EVB3 simulates an organ with two manuals (keyboards) and a pedalboard—each
of which can have its own registration (sound settings). The sound generation process
is not limited to the mere additive synthesis of sine choirs. Rather, it fully simulates the
tone wheel generators of an electro-mechanical Hammond organ, down to the
smallest detail. This includes certain charming flaws, such as the Hammond’s enormous
level of crosstalk and the scratchiness of the key contacts. You may adjust the intensity
of these peculiarities to meet your tastes. This flexibility allows for flawlessly clean,
through to dirty and raunchy sounds, and everything in-between. Further quirks of the
original were the robbing of sine choir voices (multiplexing) and the specific repetition
behavior. No need to tell you that the EVB3 emulates this too!
The EVB3 simulates three different types of Leslie sound cabinets with rotating
speakers, with and without deflectors. Beyond this, three tube overdrives—with
different tonal characteristics, an equalizer, a wah wah and a reverberation effect are
also incorporated. You may freely define the signal flow of these effects as you wish.
You can also set the stereo intensity of the microphone position as desired.